Revista do Villa 
Dudu Garcia vive e trabalha no Rio de Janeiro. Trabalhou no setor têxtil até o fim dos anos 90, quando iniciou sua pesquisa e trabalho em pintura. Integrou o grupo de artistas da Fábrica Bhering, sendo o primeiro ocupante do local.
O artista participou de diversas mostras em Museus e Galerias do Brasil e exterior. Dentre elas, destacam-se as exposições no Museu de Arte Moderna do Rio de Janeiro, no Museu de Arte Moderna da Bahia, Centro Cultural Correios, Paço Imperial; em exposições coletivas nas Galerias Luisa Strina e Nara Roesler, em São Paulo. No exterior já expôs na França (Galerie Debret), Inglaterra (Gallery 32), Bélgica (Tendler Gallery), EUA (Violet Ray) e Japão (Motoazabu Gallery – Roppongi Hills). Suas obras compõem o acervo permanente de importantes instituições como o Museu de Arte Moderna do Rio de Janeiro (MAM-RJ), Museu de Arte do Rio de Janeiro (MAR),Museu de Arte Moderna da Bahia (MAM-BA), Centro Cultural dos Correios, Centro Cultural Cândido Mendes. No Brasil, trabalha com as Galerias Patricia Costa, no Rio de Janeiro e Verve Galeria, em São Paulo.
As pinturas de Dudu Garcia apresentam-se enquanto lugar do encontro improvável entre o abstracionismo informal e o hiper-realismo. Um deslocamento de paisagens urbanas despercebidas para a tela. Em suas pinturas, Dudu utiliza materiais orgânicos: pó de pedra, poeira, petróleo, borracha e limo sobre telas de linho, cânhamo e algodão. Durante a ArtRio, de 2019, o crítico Paulo Herkenhoff, que selecionou um trabalho do artista para integrar o acervo permanente do Museu de Arte do Rio (MAR), observou que Dudu “criou um mecanismo sintético e sofisticado para registrar, através do espaço, a passagem do tempo”.
Nas palavras de Fernando Cocchiarale, Curador do MAM – RJ, o artista explora as infinitas possibilidades da sobreposição e criação de texturas, literais e sugeridas, superando restrições do plano bidimensional e oferecendo ao observador um mundo único, atmosférico, imaginado e ilusório, ainda que extraído do mundo real. “Dudu Garcia conseguiu produzir um sistema fundado na experimentação das possibilidades poéticas de uma pintura que extrai sua ordem espacial básica das marcas do tempo e dos homens deixadas sobre paredes e outras superfícies reais. Dudu expõe aquilo que o quadro (entendido como janela móvel na Renascença), antes, costumava cobrir (parede). No lugar da janela, partes e fragmentos de paredes”, conclui o curador.
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