Xandy Novaski entrevista o artista plástico Renato Rodyner

RENATO RODYNER - Crédito Pedro Jorge

O gaúcho RENATO RODYNER saiu cedo de Porto Alegre e, ainda no Brasil, imprimiu a marca de sua arte em Olinda / PE e Rio de Janeiro. Vivendo em Cascais, Portugal, onde administra a ‘Rodyner Gallery’, o artista plástico já presentou com suas belíssimas obras outros países europeus, além da Rússia. Conheça mais sobre o trabalho desse profissional que tem uma assinatura única em sua arte!

1 – Você nasceu em Porto Alegre, RS. Eu vejo, por exemplo, o centro da capital gaúcha como uma galeria a céu aberto. Os prédios históricos são de encher os olhos. O que falta, em sua opinião, para que o brasileiro passe a olhar sua arte e história com um olhar mais generoso?

O que falta é a autoestima e visão comercial do valor do patrimônio arquitetônico e artístico. Os nossos governantes e a população parecem não ter a noção do valor. Em qualquer país do primeiro mundo é usada para atrair turistas e negócio. Nossa cultura foi formada por Índios locais, portugueses dos Açores, africanos escravizados, alemães imigrantes e Italianos, espanhóis, enfim, uma fusão de culturas que originou o nossa, e está presente em cada canto da nossa cidade. É triste ver a falta de cuidado. Eu saí de Porto Alegre faz trinta anos, ainda não estava tão destruída. Continua bela. Ainda dá para voltar a ser um exemplo para o Brasil. Tenho saudades do Rio Grande do Sul. Matei um pouco a saudade no evento ‘Rio Grande do Sul’ em Paris. Adorei comer churrasco e tomar chimarrão olhando para Torre Eiffel e todos pilchados, os Homens e as Prendas. É isso, falta mais divulgação da nossa cultura, nossos artistas, arquitetos, paisagistas, escultores, nossa cultura, história, para o Brasil e o mundo. Adorei escutar em Portugal o Borguetinho no show na Aula Magna.

RENATO RODYNER E SUA OBRA - Crédito Teresa Correia

2 – Durante os Anos 70 e 80, ainda no Brasil, você participou de várias exposições coletivas e selecionadas pelo país. Como era tomar parte das galerias espalhadas pelo Brasil naqueles tempos?

Naquele tempo (anos 70 e 80) era muito difícil. As galerias eram muito fechadas e quem mandava na arte eram os Críticos  e Marchands,  de certo modo é até hoje. Eu era muito jovem  nessa época e nunca dei muita importância ao mercado. Agora quem manda são as casas de leilão.

3 – Seus trabalhos são desenvolvidos nas mais diversas vertentes artísticas, como o desenho, gravura, pintura e esculturas. O que torna o artista plástico eclético em seus mais diversos experimentos e ter, ainda assim, uma assinatura única, seja em qual for o segmento?

A maturidade do teu traço e a tua  escolha natural de sua palheta de cores e sua assinatura. “Um pintor pinta para vender e um artista vende o que pinta”. Dito isso, eu sou um artista. Qualquer suporte, ou material novo, ou reciclado de pedra, ou terracota madeira, enfim, onde eu enxergue arte e forma de me expressar, é válido.

RENATO RODYNER E SUA OBRA - Crédito Teresa Correia

4 – O curador é aquele que administra, organiza e está à frente da manutenção das obras de artes em museus, galerias, e etc. Como se dá o processo de estudos para atuar na curadoria de arte?

Não gosto muito de me considerar curador. Deixo isso para os profissionais desta área, como meu amigo Renato Rosa, da Bolsa de Arte. Não tenho o conhecimento dele, mas, no entanto, acabo fazendo uma curadoria de algumas exposições que acontecem na minha Galeria,  a ‘Rodyner Gallery’ em Cascais, na Casa da Guia, que passa pela qualidade dos trabalhos, independente dos estilos.

5 – Antes de se mudar para a Europa, você teve seu próprio atelier no Rio de Janeiro. Trabalhou com exclusividade para Água Furtada Decorações e também criou estampas para várias confecções não só do Rio, mas de São Paulo, Porto Alegre e Portugal. Conta pra gente a importância do artista plástico estar também na moda e em salões de outros espaços públicos, como o do Hotel Plaza.

Eu posso falar que aprendi muito. Desenvolvi muito a minha criatividade e técnica, e o meio da moda é muito profissional. Tem que se criar para  que as pessoas tenham o desejo de ter a aquela criação. Criei estampas para sofá, calçado, bolsa, roupas de couro, tecidos,  enfim, fiz painéis… Foi um  aprendizado! Quando cheguei a Portugal pela primeira vez, vi passar na esteira uma bolsa do Paulo Amado com uma estampa minha. Achei que era um bom presságio. 

RENATO RODYNER E SUA OBRA - Crédito Teresa Correia
OBRA DE RENATO RODYNER - Crédito Teresa Correia

6 – Hoje você vive em Cascais, conhecida como a ‘Riviera portuguesa’, onde administra a Rodyner Gallery. Qual é a principal missão desse empreendimento?

A ‘Rodyner Gallery’ é um Espaço de Cultura de Arte Contemporânea que tem como objetivo ajudar artistas nacionais e internacionais na divulgação e promoção de suas obras,  e está situado num dos pontos turísticos mais lindos de Cascais. E temos como parceiro o magazine arte351.pt (Art Magazine Portugal).

7 – Seus trabalhos, além de Portugal, também estiveram na Suíça, Espanha, Angola e Estados Unidos. Como é o olhar do estrangeiro para a nossa arte?

Estou sempre viajando com minha arte e de alguns artistas parceiros. A Rússia recebeu muito bem meu trabalho. Acho que cada artista tem seu público a arte brasileira é muito bem vista na Europa. Tem uma energia muito positiva que é resultado das nossas vivências, e do lado emocional. Atualmente não sei o que vai sair da nossa produção, porque o artista brasileiro é muito emocional e o Brasil não passou por guerras como os europeus, onde se nota pelo tipo de arte que produzem. Mas está passando por uma severa crise  e com certeza isso vai refletir na arte das próximas produções.

 

RENATO RODYNER NA RODYNER GALLERY - Crédito Teresa Correia

8 – Uma curiosidade: quando vamos visitamos uma exposição, sempre vemos a denominação “exposição permanente” ou “temporária”. Quais são os requisitos para que peças artísticas se tornem permanente num museu ou galeria?

As exposições permanentes pertencem aos museus, instituições no qual você vai, e as temporárias são exposições de coleções que foram emprestadas ou alugadas para as instituições por tempo determinado. Por isso podemos ver em vários países obras de artistas renomados como Picasso, Miró, Dalí, Basquiat, Rembrandt,  etc. Essas obras são muito caras, e só dessa maneira que pode ser vista pessoalmente. Nem todas as pessoas podem viajar e conhecer os museus. É muito bom este intercâmbio.

9 – Você também atua no jornalismo de arte para diversas revistas. Como é esmiuçar em palavras o sentimento passado por uma tela, de uma escultura?

Eu adoro divulgar os artistas  que gosto, e que vou encontrando pelo caminho e acho que tem qualidade. Atualmente  tenho o Magazine On Line arte351.pt,  onde posso fazer esse trabalho. Não tenho escrito muito, tenho falhado porque estou com muito trabalho de exposições físicas e online.  Eu mais divulgo do que descrevo as obras. Eu não sou critico, tenho meu conceito, visão do que acho bom ou não.

RENATO RODYNER - EXPOSIÇÃO - Crédito Teresa Correia
OBRA DE RENATO RODYNER - Crédito Teresa Correia

10 – Para terminar, o que tem a dizer aos jovens artistas plásticos no Brasil e também em Portugal, que lutam por um espaço e olhar crítico à sua arte? 

Para os jovens que estão chegando agora, e com muito mais informações do que eu tinha na idade deles, que não percam sua essência e trabalhem, pesquisem, e não tenham medo da tela, do pincel, da pedra e do ecrã do computador onde podemos  usar a tecnologia a nosso favor. Se joguem no desenvolvimento da sua criatividade. Supostos erros que deram certo podem virar técnica. O ‘não’  de uma galeria  é uma etapa do aprendizado. O mundo vai precisar cada vez mais de arte. As máquinas são instrumentos de apoio a nossa criatividade. Façam cada vez melhor, se comuniquem com qualidade e talento. Visitem meu site rrodynergallery.com e o arte351.pt!

OBRA DE RENATO RODYNER - Crédito Teresa Correia
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  • Renato e um artista completo , pois é extremamente criativo e já atuou em diversas áreas da criação artística. É um orgulho para o Brasil

  • Conheci Renato em porto Alegre nós anos 80, lembro de um desfile arte em roupa no qual participei com mais de 50 modelos pelas ruas de Porto Alegre e shoppings ele já era um artista com propostas revolucio

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  • My programmer is trying to convince me to move to .net from PHP. I have always disliked the idea because of the costs. But he’s tryiong none the less. I’ve been using Movable-type on a number of websites for about a year and am nervous about switching to another platform. I have heard fantastic things about blogengine.net. Is there a way I can import all my wordpress content into it? Any help would be really appreciated!

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